CAPTURING THE SELF THROUGH A LOGO

Banner of Three Logo Designs

THE BRIEF

CREATING A PERSONAL LOGO

The assignment asked us to design a personal graphic logo to represent ourselves and explain the symbolism of the various elements used in our logo. We were asked to select three of the seven logo types- lettermark, wordmark, pictorial, abstract, mascot, combination mark, and emblem.

I decided to create a lettermark, emblem, and pictorial logo.

Emblem Logo Design

THE DESIGN PROCESS

DEFININE

SKETCH

DEVELOP

WRITTEN SUMMARY

In pursuit of self-understanding, I wrote a one page summary about myself. I explored my interests, heritage, how I label myself, and what beliefs are important to me. From the summary, I extracted topics and motifs to guide my design.


THUMBNAILS

Using my topics, I developed an initial 10 thumbnail sketches to explore ideas. I drew inspiration from Celtic symbolism and explored different iterations of working my initials into imagery, experimenting with variations of the moth design. 

While I was happy with the imagery I chose, I felt like these logos didn’t stylistically represent myself as well as they could have. Through receiving feedback, I was advised to revisit my personal summary for guidance.


REXAMINE

I listed out ideas and phrases from my summary that could guide my project’s stylistic direction.

In reflection, I was certain that I wanted to continue to use the moth motif in my designs, but now, I would take that image and transform it through styles that embodied elements of distortion, discomfort, and subcultures existing outside of popular culture.

STYLE RESEARCH

I decided to start by researching the styles of the punk movement. I made note of messy and jagged designs, themes of resistance, and the use of graffiti, collage, and other DIY styles. 

While these elements were reflective of the motifs and themes I wanted to represent, I had to consider how to balance them with the gentler nature of the moth and integration of mystical imagery. This brought me to consider tattoo designs, which often incorporate gentle designs into a darker style.

I found myself inspired by the neo-tribal tattoo style. With it’s thorny, bramble-like textures, it carried the elements of distortion I wanted to represent in my design while managing to balance it with more feminine imagery, such as butterflies, hearts, and of course, moths.


DESIGNING

Using the neo-tribal style to guide my design direction, I developed more focused thumbnail sketches, then selected my three favorite designs to refine and translate into Adobe Illustrator.

COLOR

FINAL OUTCOME

FEEDBACK & TAKEAWAYS

CRITIQUE

During our final critique, I displayed the color and outline variations side by side. My peers expressed a preference for the color versions of the designs, but identified issues with contrast and legibility. If I were to revisit the project, I would conduct test prints to examine how my logos would look at different scales and in different formats.

REFLECTION

The project taught me how to convey identity through the use of stylistic and symbolic design choices. It pushed me to consider the role of visual harmony in my design, and helped me develop the skills to develop an external identity through design choices, which could be useful for future logo and branding projects.